Akin turns 15! An Interview with Founder & Director, Oliver Pauk
Fifteen years ago, on November 1st, 2008, Akin opened its first studio for artists in Toronto. Since then, we’ve grown to support hundreds of artists all across the city, becoming the largest provider of shared studio spaces in Toronto.
We’re launching this celebration with an interview with our Director and Co-Founder, Oliver Pauk, who’s been building Akin since the very first day.
Tell us a bit about yourself! You're an artist yourself?
Oliver: “I've been active in music and visual art since I was young. I've played in a few bands over the years and I started with photography the moment my dad gave me his old 35mm camera. I studied economics in school (which has been helpful in my work with Akin) but began really focusing on my creative interests right after graduating from university. Over the years my practice has evolved from photography to 3D printing, CNC milling and video. Lately, I've been carving wood and stone and am really enjoying the deepened, hands-on relationship that I'm building with my pieces.”
Learn more about Oliver’s art practice at www.oliverpauk.com
Image Description: Oliver Pauk stands against a white curtain background. He is wearing a white T-shirt and a colourful hat and smiling.
Take us back to the beginning, how did Akin start?
Oliver: “A group of friends and I had all been working on our creative pursuits separately from our homes but really wanted a place to work together and inspire one another. Friends of mine were moving out of their old loft space in West Queen West and one of them, Mike Dellios (who went on to serve a term as our Board Chair) and I decided to turn the loft into a workspace that the 12 of us could afford to work in. We set up storage racks, built worktables to share. On the weekends we'd often host art exhibitions, film screenings and other art events. This was all that Akin was intended to be. Pretty quickly we realized that we weren't the only artists in Toronto in need of space like this. After three months we moved around the corner onto Dufferin St, in a space that was four times larger. Fast forward 15 years, we're still essentially doing the same thing: working as an artist-run team to find spaces that we can afford, setting them up with an aim of reducing financial barriers to creative space for folks from the community, and bringing people together around the arts.”
Which of our many past studios was your favourite? Why?
Oliver: “I have a soft spot for Akin Lansdowne at 87 Wade Avenue. This was the second studio that Akin set up. At the time I was doing most of the work myself, but was starting to get more support from my friend Michael Vickers (who was Akin’s Co-Director for many years). We had as many as five units at one time in this building and they were beauties; bright, raw spaces with high ceilings, close to the subway, with tons of awesome neighbours and about 100 Akin members! We ended up hosting regular gatherings (both organized and spontaneous) and people got to know one another really well. This is still something that happens in our studios, but it was really cool (at least for me) to see the future potential of Akin through what happened in that building. It made me want to take Akin further in order to involve more artists in the city. ”
What have been some of your proudest moments, working for Akin?
Oliver: “Akin has been full of surprises from day one. It feels a little bit like another child in a sense (I do have a 5yr old human son). Helping build Akin has felt like a separate creative process of its own and I'm proud that we've made it to 15 years (because it hasn’t been easy). We’ve created this new sentient entity that Akin's team and I are able to collaborate with (which is how we view it). That brings me to something else that I'm proud of... our team. When I say team I mean our staff, our board, AREA (our real estate advisory), and our various other advisors. I feel so lucky to have met all of these people, let alone engage on this interesting mission with them. I'm proud of how much we all care about Akin, about the arts, about artists and I know that it shows in the work that we do.”
15 Years of Akin in 15 Images:
Explore Akin’s history in 15 images, one taken from each year in
Akin's journey since 2008. Enjoy!
What are the biggest challenges Akin has faced, as an organization?
Oliver: “Where to begin :) There have been many. What we're doing with Akin is not a regular thing. It's different, it's special, it's innovative... Many hurdles have needed to be jumped. In many ways Akin still exists because of trial and error. There's no handbook for what we do. We've had to figure it out by failing and learning. A major part of our role today is to facilitate an amicable and mutually beneficial relationship between the arts and real estate. These two industries, and the people who make them up, have historically had a tumultuous relationship and it hasn't gone well in the vast majority of instances, internationally. We believe that we have figured out ways to create a win-win for both groups but there are challenges on both sides. Finding our way in the real estate industry has been challenging. Thankfully we're building a growing network of property owners who understand why we do what we do and why it's important to both communities and to them.
Bringing together a large number of people to share working space comes with a lot of challenges. We try our best to create safe, comfortable and inspiring spaces for everyone who is part of Akin and it's truly upsetting if we let people down. That motivates us to continue learning and improving every day.
2020 and 2021 were very tough years for us and for many of the artists we work with, for obvious reasons relating to COVID. It took lots of perseverance from our whole team as well as open communication with Akin's members and our real estate partners. Thankfully we made it through, albeit as a tinier version of the organization, and this is in large part due to the extreme resilience of the artists in Toronto. Much of this year has been rough as well, for our team and for me in my role, as we've undergone a number of organizational shifts. Thankfully, these challenges, along with the progress that we're making in other areas have enabled Akin to find itself in what I would consider to be its best position yet. We're set to open a number of new studios in order to provide work space for many artists and designers in Toronto who are in need. There will be many more challenges to come but I know that Akin's perseverance and spirit are strong and that we will continue to find creative solutions to move forward in ways that are true to what we believe in.”
How has Akin changed over the years? What has stayed the same?
Oliver: “There are some really important things that have stayed the same. We're still artist-run, still trying to break down financial barriers to creative space and we still care deeply about Toronto's community of artists. We have hopes to continue having a valuable impact on our city.
And yes, Akin has changed too. When Akin was young, I would never have guessed that it could have the impact it has today. I'm happy about most major changes, but simultaneously I miss aspects of the old, simpler days. I knew everyone who was a member at Akin which is sadly not the case today. There was less riding on our team's decisions than there is now and that burden can feel heavy sometimes.”
What have you learned about the artist community, and about Toronto, through your 15 years building Akin?
Oliver: “I've learned about the vitality of artists. Artists genuinely think in ways that allow society to grow and heal and evolve. They're brave and interesting and, of course, inspiring. I've seen and learned of many challenges being created in Toronto for creatives. The precarity for artists to live in the city is high, forcing them to either give up their practices or move further out of the city. The vast majority of people living in the city say that they care about art and it's easy to understand how important it is for our society, economy, and health, but it seems like they don't realize that art is made by artists. This disconnect needs to be explored. I feel that there needs to be more effort put towards growing the public valuation of artists.”
Where is Akin headed?
Oliver: “We're sticking to what's important to us. We're building on what we do and what we as artists need and we're doing it in the ways that we know best. We've done a ton of work this year to ensure that Akin is around long into the future and a major part of this will be the opening of new studios in 2024. Thankfully we have a number of spaces that are being lined up and we know that they're needed by our community of artists. I intend for us to remain open-minded and open-hearted, to learn from the people we surround ourselves with and to continue exploring the current boundaries of our role in ways that are genuinely important.”
Akin would like to thank Oliver Pauk for the interview and for all his hard work for Akin over the years. We also want to thank all of our amazing members (past, present and future), our board members, consultants, supporters and community members! Stay tuned throughout the month of November as we celebrate our anniversary on the Akin blog with more member highlights!
Want to celebrate
in-person?
Akin will be hosting a 15th Anniversary drop-in celebration at Akin’s Remote Gallery on December 4 from 4-8pm for an evening filled with Akin memorabilia and nostalgia.
