New Exhibition at the Akin Vitrine Gallery On Now! Theresa Hopkins’ installation Kiddo

Akin St Clair / Akin Vitrine
in ,
 

Image Description: Artist Theresa Hopkins’ installation, Kiddo, hanging in the Akin Virtine Gallery. A cylindrical round of beads hangs from the ceiling of the gallery. The beads are white with pink clouds, with blue beaded tassels hanging from the bottom. Blue beading across the white and pink sky read “chin up kid’. 

 

We’re excited to announce a brand new installation at Akin’s Vitrine Gallery! Running until January 30th, Artist Theresa Hopkins’ installation Kiddo will be viewable from the street at Akin St Clair, at 1747 St Clair Ave W. Be sure to swing by and check it out. In the meantime, we reached out to Theresa to learn more about her work and inspirations. 

Theresa Hopkins is a black multi-disciplinary artist and arts organizer living and working in Toronto. She focuses on themes surrounding identity, emotion, and her interactions with the world through her unique lens. Using colourful and tactile materials and subject matter, her work draws on nostalgia juxtaposed with mature themes. Her installation entitled Kiddo, runs from December 1- January 30th. 

 

Image Description: A photograph of artist Theresa Hopkins standing against a blue background. Theresa has long wavy black hair, blue eyeshadow and wears a white t-shirt. She is facing the camera,  holding a flag with a cartoon  of Roger Hargreaves’ Little Miss Chatterbox.

 

About the Installation 

‘Kiddo’ represents the vast majority of adults born as millennials who are currently experiencing arrested development, Kidults, and people who are failing to launch. Is there a place in your life you think you “should” be by now? 


What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Theresa Hopkins: “These days, I’m focusing on play. I believe relationships are garnered and watered through the ability you have to play together. Whatever the capacity. Being “silly” is so important. To get inspired I convene with nature, I make up scenarios with friends, I play children’s games.”


What was your first medium and what's your favourite tool/material right now? 

TH: “One of my first mediums was definitely beads. I used to be obsessed with friendship bracelets and animals made out of pony beads strewn with elastic string. When I was 15 I used to make beaded cuffs and bracelets for friends I used to rave with. It’s funny how I’ve returned back to it now. I guess we are creatures of habit after all.”


Do you have a studio routine?  

TH: “I am definitely someone who has project focused spurts of inspiration. I tend to do many projects at once though so perhaps it’s actually hurting me more than helping me since finishing work takes me a while.”

 

Image Description: A close-up photos of Artist Theresa Hopkins’ installation, Kiddo, hanging in the Akin Virtine Gallery. The beads are white with pink clouds, with blue beaded tassels hanging from the bottom. Blue beading across the white and pink sky read “chin up kid’. 

 

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

Honestly most of art happens away from the canvas. It’s easy to berate yourself for not “working” on your work when I think in actuality, we are constantly working on work by just living our lives. I don’t try to limit myself to only mediums I’m comfortable in. I find it helps me to make art that “doesn’t have a purpose” it’s in those moments when I can really experiment. 

As in regards to self-care I think it’s important to have a healthy community that can be a sounding board for ideas. Take criticism graciously and always ask questions to yourself. Give yourself time and show up for yourself.


Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

TH: “Not really, most of the artists I like are here, now.” 


What are some of the benefits of being in the studio for you? What brought you to Akin?

TH: “I love having a community around that inspires me. Seeing other artists in different phases of their practice gives me hope for the future of the arts in this city. Working at Akin has given me purpose like no other, and being able to serve a community I’m a part of is extremely fulfilling. 

I joined Akin after a 3 year hiatus of making or showing my artwork. I had convinced myself for a number of years that being in survival mode and putting all my effort into working to pay rent was top priority. I decided one year to make a painting for a friend and needed a place to work. I ended up joining Akin and it’s one of the best decisions I could of made for my practice.”


What are you NOT very good at? What do you WANT to be good at? 

TH: “Wish I was better at attending art shows, it seems like I only get out when someone I know is involved. I’ve made this a goal of mine for the upcoming seasons!” 

Check out Kiddo at the Akin Vitrine Gallery, 1747 St Clair Ave W, viewable 24/7 from the sidewalk, on till January 30th, 2024. 

See more of Theresa Hopkins’ art @Thopkinsart

Akin St Clair / Akin Vitrine

 

Bring your creative vision to life at Remote Gallery this winter with extended 2024 pricing!

in

At Remote Gallery, our 2024 pricing is available through February 2025! Centrally-located at 568 Richmond Street West, Remote is perfect for your winter pop-up, art market, exhibition, or holiday gathering. The gallery is a 300 sqft, street level venue with gallery lighting, floor to ceiling windows, polished concrete floors and occupancy for up to 40 guests.

Why Now?
Reserve your dates in December,January and February to lock in our current pricing before it increases in March 2025. Akin members enjoy an additional 10% off December rentals!

Currently Available Dates:
December 2-4, 8-9, 16-31
January 1-22
February 1-19

Create memorable moments in a space built for art and community! For bookings and more details, reach us at gallery@akincollective.com

Image Description: a photograph of Remote Gallery with bright light coming through the window. The space is empty with dark floors and bright white walls. Overtop of the photo is decorative snowflake drawings around the corners.

 

Get in touch to reserve your dates and start planning! 

Image Description for the images above: a slideshow showing 5 photos of Remote Gallery in various configurations including set ups with tables and chairs, an exhibition with people in attendance throughout the space, and installations with various artwork and objects on the walls and in the space.

Akin Queen Open Studio: A Heartfelt Thank You to Our Community

in , , ,

On October 12th, we had the pleasure of opening our doors to the community for the Akin Queen East Open Studio, and we couldn't be more grateful to everyone who came and made the event such a success!

A huge thank you to our amazing Akin members for showcasing their work and welcoming visitors with such warmth and enthusiasm. The sense of community was palpable, and it was wonderful to see so many meaningful connections made throughout the day.

We also want to extend our heartfelt thanks to Nurielle Stern of Lost and Found Gallery and the artists from the 1-800-INF-ERNO exhibition for collaborating with us for the day. They truly added another layer of inspiration and we’re so glad to have shared this special occasion with them.

Lastly, a big thank you to all of our guests! Whether you’re an artist, an art lover, or simply curious about our space, your presence and support mean the world to us. It was fantastic to meet so many new faces, and we look forward to welcoming you again in the future— Until then, enjoy the photos from the Open Studio! 

Image Descriptions: a slideshow of images showing artists and guests at Akin Queen East during the open studio. There are different people who are talking to each other, smiling, and looking around the studios. Artwork and art materials can be seen in the studio space including paintings, sculptures, and textile works. 

List of participating artists: 

As well as the artists featured in the 1-800–INF-ERNO installation at The Lost and Found Gallery: Micki-Lee Smith & Zakriya Bashir-Hill, in collaboration with Diana Lawryshyn, Pratap Mathews, & Yun Young Lee. Also featuring paintings by Diana Lawryshyn.

Thank you! 
Love, Akin 

HELIO EUDORO, Invisible at Remote Gallery

REMOTE GALLERY
in

Helio Eudoro
Invisible
May 23 - June 2 at Remote Gallery

Image Description: A colour photograph of a person holding a large bundle of balloons obfuscating their face. They are standing on small rocks next to a large bolder by a body of water with trees and a sailboat in the background.

Solo Exhibition and Book Launch

Opening Reception: Thursday May 23, 6 - 9pm

Gallery Hours: Mon - Sun: 10am - 6pm

Invisible is a photographic visual essay by Helio Eudoro. Through self-portraiture and collaborations, the artist explores the complex layers of visibility and forms of cultural exclusion through the lens of sexuality, body image, diaspora and aging.

Helio Eudoro is a Brazilian-Canadian multidisciplinary artist based in Toronto. He holds a BFA (Hons.) in Sculpture and Installation from OCAD University (2022). His work explores the intersection of identity, gender, sexuality, diaspora, and aging. Eudoro's art investigates themes of possessions, waste, and the cycle of mindless ownership, seeking to spark dialogues that challenge our understanding of body and identities, as well as material systems and their impact on consumption and disposal habits. He has received several grants and awards, including the 2022 OCADU Carmen Lamanna Award and the 2020 RBC Newcomer Arts Award. Eudoro's artwork has been exhibited in galleries and museums across Canada and Brazil, including the Art Museum at the University of Toronto in 2023 and ArtworxTO in 2022. His art is featured in collections such as the Museu de Arte Moderna da Bahia and the Museu de Arte Contemporânea of Rio Grande do Sul in Brazil.

Helio is a 2023 Space Award Winner. The Newcomer Space Award is a partnership between Toronto Arts Foundation’s Neighbourhood Arts Network and Akin. This award focuses on providing affordable shared studio and/or exhibition space to newcomer professional artists who are past recipients of our Newcomer Arts Access Award (formerly known as RBC Arts Access Award). This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model.

Learn more about Helio’s work at @helioeudoro, @nada_is_nothing and helio-eudoro.format.com

Remote Gallery, 568 Richmond St W, Toronto, ON M5V 1Y9

 

FUNDING PROVIDED BY

 
 

The Newcomer Space Award is made possible with the support of RBC.

Every Day I Wake Up and I'm Still in Tokyo: Artist Tam Phan’s new exhibition at the Akin Vitrine Gallery

in , ,

We’re excited to introduce a brand new exhibition up in the Akin Vitrine Gallery at 1747 St Clair Ave: ‘Every Day I Wake Up and I'm Still in Tokyo’ by artist Tam Phan!

The exhibition will be up from February 9th - March 9th. The gallery is visible from the street 24/7, if you’re in the neighborhood, be sure to drop by and take a look. In the meantime, read on to find out more about Tam’s work and inspirations! 

Image above: Artist Tam Phan, waring a respirator mask

About the artist: 
Tam Phan is a Vietnamese-Canadian artist based in Toronto who loves working with stained glass. Her practice explores themes of nostalgia, wonder, feeling lost, and identity. Her new installation titled ‘Every Day I Wake Up and I'm Still in Tokyo’ will run from February 9th - March 9th in the Akin Vitrine, and will showcase various stained glass pieces, lite brite toys, and a gifted TTC lightbox. The installation is inspired by her trips to Vietnam and Japan. 

See more work on Tam’s instagram

Tell us about your exhibition!
Tam: “Everyday I Wake Up and I'm Still in Tokyo was inspired by a trip I went on to Japan and Vietnam in 2023. I felt lost on this trip and it impacted how I viewed myself and my identity. Although unsteady, I felt comfortable with my reading and conversational skills in Vietnam, plus I had family there who made me feel mostly at home. But once I got to Japan I felt lost again, and those feelings were amplified by being physically lost in a place where I couldn't understand anything.

I decided to take lots of pictures of the shop and restaurant signs, and three were my inspiration for the stained glass collection I have in the Vitrine Gallery. Each one is colourful, vibrant, and has Kanji in it, but there's a small feeling of sadness when I look at each of them. I manipulated the colours, design and shapes but ultimately kept most of them true to the original.

Thank you to the Toronto Arts Council who generously supported this project.”

 

Image above: Artist Tam Phan is standing beside the Akin Vitrine Gallery and looking at it. In the gallery are many colourful pieces of stained glass artwork incluing a large piece featuring a piece of chocolate cake with red cherries on it in front of an orange and blue background.

 

What was your first medium and what's your favourite tool/material right now? 

Tam: “Just a paper and pencil! I was also obsessed with gel pens.”

Do you have a studio routine? 

Tam: “I am definitely a project-focused artist. My studio mates will not see me for months until I have a new passion project. Then you'll see me in the studio every day, cutting, grinding and foiling like a mad scientist.”

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

Tam: “Just do it! Go to the studio even if you don't have everything ready. I'm always surprised by how inspiring it can be to just give yourself space in the right environment. I also divide my time at the studio with playing badminton, and I find the two (making art, play badminton) inspire and motivate each other in odd ways.”

What are some of the benefits of being in the studio for you? What brought you to Akin?

Tam: “There are so many benefits. Even though every morning is a constant battle to get out of the door, once I'm at the studio I feel my creative side break through. The community, having an alternate space for creativity, and for this specific project, every single one of my studio mates helped me from cutting to design to installation or even just a short pep talk. It was incredible and made me so emotional. Everyone wanted me to succeed. 

I signed up for a space at Akin during the pandemic when I desperately needed a change of scenery and a chance to work with my hands. Being at Akin has changed my worldview in many ways.”

What are you NOT very good at? What do you WANT to be good at? 

Tam: “Not good: meeting deadlines. Want to be good at: meeting deadlines!!”

Akin would like to thank Tam for your lovely exhibition and participation, we love this installation and can’t wait to see what’s coming in the future! 

This project was produced with the support of the City of Toronto through Toronto Arts Council. #poweredbyTAC

 

New Exhibition at Akin Dupont Vitrine Gallery by artist Bernadette Peets

in , ,

The Akin Dupont Vitrine Gallery is excited to announce an exhibition of works by Akin Dupont member, Bernadette Peets. Located at 1485 Dupont Street, on the second floor of the building, this miniature gallery offers a unique viewing experience to visitors in the building.

Images above: Colourful multi-media artworks by Bernadette Peets. Each piece 12”x12”. Titles in order from left to right: “Clouds”, “Crane River 4” and “Little Pond”.

About the Exhibition
In this latest exhibition, Peets invites us to explore her series of "small layered landscapes." These pieces are more than representations of physical spaces; they are windows to the emotions and sensations experienced within them. Created initially en plein air, these artworks were later transformed in her studio with the addition of striking neon plexiglass layers.

The result is these colourful pieces with depth that beckon viewers to engage with the art from various angles and perspectives, much like one would naturally experience in a real landscape. The swift, loose execution of these pieces contrasts beautifully with the deliberate layering, creating a dynamic visual experience that is both stimulating and thought-provoking.

 

About the Artist
”In my practise of nearly 30 years, I have been constantly searching for ways to express my thoughts, ideas and feelings sincerely and honestly. I am weary of becoming known for my ‘style’ or recurring themes as this would not reflect who I am as a person. I am constantly growing and evolving and my art reflects this as well.

Over the years I have worked with many tools, materials and methods and I have always tried to match the medium with the subject matter as a way to reinforce and strengthen the work.”

Bernadette’s foundation in drawing and painting, coupled with her extensive experience in theatre design, costume, and prop making, has equipped her with a diverse skill set. This versatility allows her to seamlessly blend various materials and techniques, from sculptural works and installations to multi-layered 2D images.

“There is often a subtle message in my work that invites the viewer to invest some time to look beneath the surface and to involve them in a participatory way.”

Visit www.bernadettepeets.com for more of Bernadette’s creative work.

Image Description: Artist Bernadette Peets in her studio working on a painting. Bernadette is holding a paintbrush up to a large canvas which has a work-in-progress painting in bright orange and blue paint. Image couretsy of www.bernadettepeets.com

 

About the Gallery
The Akin Dupont Vitrine Gallery is a space dedicated to showcasing the diverse talents of Akin Dupont studio members. It's a small window gallery that faces the hallway, offering a novel and accessible way for the public to engage with art. Nestled beside Ink & Water Tattoo, and just down the hall from Franz Kaka Gallery. The building is open to the public from 8am-8pm.

Akin Vitrine Q&A Series: Chico Togni installation "Portable Moon (with physics)"

Akin Vitrine Gallery
in ,

Akin Vitrine Q&A Series:
Chico Togni installation “Portable Moon (with physics)”

Oct 27 until Jan 7, 2024

The Akin Vitrine Gallery, 1747 St Clair Ave W

 

An image of Chico Togni’s sculpture, Portable Moon (with physics) in the Akin St Clair’s Vitrine Gallery. An American flag (without the white stars), sewn against a beige sheet appears to be waving. The flag is attached to a pole sunken into a sculpture of a jagged rock.

 

Be sure to swing by Akin St Clair’s Vitrine Gallery at for Chico Togni’s new exhibition, Portable Moon (with physics), which will be on until January 7th, 2024. We caught up with Chico to learn more about his art, inspirations and favorite places in the city. 

Chico Togni works with cardboard, fabric, wood, metal and other found materials to create images and large sculptures. He also creates situations and happenings within the structures he builds. Most recently he exhibited his work at Kunsthaus Dresden and the Museum der Bildenden Kunst (MdbK) Leipzig, in Germany. He was an artist in residency at Cité International des Arts in Paris and Museumquartier in Vienna amongst other institutions, including the Artist Research Fellow at the Smithsonian Institute in Washington D.C., EUA. Chico Togni holds a Bachelor in Sculpture from São Paulo University, Brazil. Chico is currently based in Toronto where he is experimenting with quilting and developed the Bellaroche Stories, an expanding series of quilts and collages that narrates the trajectory of rocks, power tools and visual paradoxes.

Tell us about your exhibition 

“Portable Moon with Physics” is a scientific contemplation. Crafted from paper maché, cardboard, and found material, this piece offers a fresh perspective on the moon's iconic flag. This sculpture represents the lunar flag, as if it were experiencing Earth's gravity, mirroring the calm and stillness of a terrestrial flag on a windless day. 

A fan generates a gentle breeze that delicately rustles the flag, preserving its position as if unaffected by the lunar environment. "Portable Moon with Physics" invites observers to reflect on the fascinating interplay of scientific principles and creative interpretation. It pays homage to the delicate equilibrium between the celestial and terrestrial realms, where even in the absence of a terrestrial atmosphere, the presence of gravity remains ever-present. The sculpture's title, "Portable Moon with Physics," encapsulates the humorous blend of science and art, reminding us of the unbreakable connection between fiction and science... 

This is the first attempt of the artist, to merge the clean and neat necessities of the world of quilting fabric and the dirty and chaotic sculptures with cardboard, found materials and paper maché. 


What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Collage and Sculpture.

What was your first medium and what's your favourite tool/material right now? 

Cardboard and Cardboard.


Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

Both! Studio routine and project focused, depending on what I'm working on, the routine gets just entirely focused on the next mission!


Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I just keep trying to do everything with found materials, “survival mode” on.

 

A detailed, close up image of Chico Togni’s piece, Portable Moon (with physics), a fragmented American flag, missing its white stars, is sewn into a beige fabric in such a way that it appears to be waving in the wind.

 

What are some of the benefits of being in the studio for you? What brought you to Akin?

To share a space and feel part of a group with similar needs.

What are you NOT very good at? What do you WANT to be good at? 

Bureaucracy...

Where is your favorite place in the city to buy/get art supplies, tools and materials?

Dollarama / Street / Home Depot (last option)

What is the most inspiring place in the city for you right now?

Ikea... the challenge of going there and trying to buy nothing, just try everything...

What is your favorite place in the city to view art? This could mean either in a gallery, a museum, or in a public space.

Whimbrel Point at Colonel Samuel Smith Park

 

An image of Chico Togni’s sculpture, Portable Moon (with physics), an American flag (without the white stars), sewn against a beige sheet appears to be waving. The flag is attached to a pole sunken into a small red and beige stool. The sculpture is outdoors, on gravel ground with tire tracks, behind the sculpture are dirty snow piles, reminiscent of a ploughed parking lot. 

 

Chico is an Akin studio member as well as a 2023 recipient of the Newcomer Space Award. Created by Akin, the Toronto Arts Foundation’s Neighbourhood Arts Network, the Newcomer Space Award provides newcomers credit for an Akin studio membership and to Akin’s Remote Gallery. This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model. 

Find more of Chico’s work on his Instagram @bellaroche_stories and website

We acknowledge the support of the Canada Council for the Arts

#BringingTheArtsToLife @Canada.Council

The Akin St Clair Vitrine Gallery, 1747 St Clair Ave W

 

Akin Vitrine Q&A Series: Tiana Robinson installation 'A Simpler Time'

Akin St Clair Vitrine Gallery
in ,

A Simpler Time, an exhibition by Tiana Robinson 

Sep 22 until Oct 22, 2023

The Akin Vitrine Gallery, 1747 St Clair Ave W

A closeup of the paintings in Tiana Robinson’s exhibition, A Simpler Time, against the white walls of the vitrine gallery. Amidst poems, the vibrant, colourful paintings on paper are detailed renderings of flowers and a young girl blowing a dandelion.

Tiana Robinson is a Canadian artist, born in May Pen Jamaica, Her journey as an artist began at an early age, as she was always doodling in class, or at home. In middle school, she was nominated to participate in the Leaf Dreams scholarship program which gave her the opportunity to freely enroll in art classes at the Art Gallery of Ontario where she was constantly being exposed to instructors who were working artists themselves.

Tiana attended C.W. Jeffery’s Collegiate Institute special art program, and it was here that she was introduced to the Modern Batik Art Technique during a workshop. Batik Art involves the application of simple ink outlines, light-to-dark gradation of dyes, and using wax as a resist for separating colours. Tiana was a quick study and gained rapid recognition for her work, including her best-known image, “The Nation of Mothers”, which was purchased by the City of Toronto and now hangs in the Mayor’s office. Tiana graduated with a Bachelor of Design from the York-Sheridan Design Program and is currently working as a Graphic Designer while still exploring her love of art. 

Tell us about your exhibition 

A Simpler Time  was created using  watercolour & gouache paint. This work was based on a poem I wrote called A Simpler Time. It shows a moment we have all experienced in our childhood of blowing a dandelion and watching the seeds scatter. It’s about returning to a time in our lives when we were free to have fun and just follow what felt right, what felt fun, and what made us happy. Summer days are filled with possibility and lots of sneezes.

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

What I am curious about right now is just exploring new media. I am trying to get reacquainted with my art process, and just let loose and explore what can come out of no expectations. I am working on being a bit more free with my expression and trying to find an authentic voice that is more representative of the woman I am now.

 

Tiana Robinson, wearing blue jeans and a grey t-shirt, is pictured inside the vitrine gallery installing her exhibition, A Simpler Time, hanging bright, colourful paintings done on paper onto clear string.

 

What was your first medium and what's your favourite tool/material right now? 

That was crayons, most definitely. Currently, I do mostly digital illustration and modern batik art with wax and dyes on fabric. I like the versatility of digital illustrations and the unique patterns created from the modern batik technique. Recently, I have been revisiting watercolours and gouache mediums and have been enjoying the learning curve of remembering how to work with the medium.


Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

My daily ritual when arriving at the studio is to first put some sage into my little humidifier to set the mood, and set up any tools I need that day. I ask a quick question of where I should start today and flow with whatever my intuition tells me to go.


Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I look at images to gain some inspiration and when I feel that tingle of excitement I follow that thread to the next step. Sometimes I am guided by meditations or poems I have written before and recently I love to turn those poems or messages into a motivational video and utilise music and video to create inspiration for myself and others. I recommend this video to get you fired up.

 

Artist Tiana Robinson in her Akin Studio

 

Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

I would love to go back and revisit the younger version of me before I stopped doing art and tell her that only when you are creating can you be fully you, fully grounded, fully really free. I realized after starting this journey again that It’s not losing my identity as an artist that made me fall apart. It was that I lost that ritual that allowed me to discard all the pieces of me that didn’t belong to me. All the external burdens and responsibilities that were not mine to begin with. I was no longer able to shed away that skin imposed on me by external circumstances, and sadly other people’s projections, demands, and responsibilities imposed on me slowly became my identity. I became empty while others became fuller, and paradoxically my spirit became heavier while others became lighter.

What are some of the benefits of being in the studio for you? What brought you to Akin?

In 2020 I became paralyzed after getting sick with COVID, and spent the better part of 2021- 2022 just getting well again. I struggled a lot with my mental health, depression, and anxiety, and can say since getting and coming to the studio I am no longer depressed, my anxiety has reduced significantly and I am a lot happier and more peaceful than a year ago. More confident, even though I don’t know where I am going I just know I will be damned if I am going to stop this again. My new mantra for life now is “protect my peace”.

What are you NOT very good at? What do you WANT to be good at? 

I am not very good at asking for help, and at showing my work. I want to be better at showing every facet of me and just being present and stop overthinking life.

A view of the finished install of Tiana Robinson’s exhibition, A Simpler Time. The paintings and poems are hung on clear string fastened vertically from top to bottom of the white vitrine gallery. The paintings are colourful, intricate images of flowers. On the white floor of the vitrine are paint brushes and small palettes, and a small sign that reads the “A Simpler Time, Tiana Robinson”

See an extended video version of this interview below or click here to view it on YouTube.

Explore Tiana’s work further through her instagram and youtube.

We acknowledge the support of the Canada Council for the Arts

#BringingTheArtsToLife @Canada.Council

The Akin St Clair Vitrine Gallery, 1747 St Clair Ave W