New Exhibition at the Akin Vitrine Gallery On Now! Theresa Hopkins’ installation Kiddo

Image Description: Artist Theresa Hopkins’ installation, Kiddo, hanging in the Akin Virtine Gallery. A cylindrical round of beads hangs from the ceiling of the gallery. The beads are white with pink clouds, with blue beaded tassels hanging from the bottom. Blue beading across the white and pink sky read “chin up kid’. 

We’re excited to announce a brand new installation at Akin’s Vitrine Gallery! Running until January 30th, Artist Theresa Hopkins’ installation Kiddo will be viewable from the street at Akin St Clair, at 1747 St Clair Ave W. Be sure to swing by and check it out. In the meantime, we reached out to Theresa to learn more about her work and inspirations. 

Theresa Hopkins is a black multi-disciplinary artist and arts organizer living and working in Toronto. She focuses on themes surrounding identity, emotion, and her interactions with the world through her unique lens. Using colourful and tactile materials and subject matter, her work draws on nostalgia juxtaposed with mature themes. Her installation entitled Kiddo, runs from December 1- January 30th. 

Image Description: A photograph of artist Theresa Hopkins standing against a blue background. Theresa has long wavy black hair, blue eyeshadow and wears a white t-shirt. She is facing the camera,  holding a flag with a cartoon  of Roger Hargreaves’ Little Miss Chatterbox.

About the Installation 

‘Kiddo’ represents the vast majority of adults born as millennials who are currently experiencing arrested development, Kidults, and people who are failing to launch. Is there a place in your life you think you “should” be by now? 

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Theresa Hopkins: “These days, I’m focusing on play. I believe relationships are garnered and watered through the ability you have to play together. Whatever the capacity. Being “silly” is so important. To get inspired I convene with nature, I make up scenarios with friends, I play children’s games.”

What was your first medium and what's your favourite tool/material right now? 

TH: “One of my first mediums was definitely beads. I used to be obsessed with friendship bracelets and animals made out of pony beads strewn with elastic string. When I was 15 I used to make beaded cuffs and bracelets for friends I used to rave with. It’s funny how I’ve returned back to it now. I guess we are creatures of habit after all.”

Do you have a studio routine?  

TH: “I am definitely someone who has project focused spurts of inspiration. I tend to do many projects at once though so perhaps it’s actually hurting me more than helping me since finishing work takes me a while.”

Image Description: A close-up photos of Artist Theresa Hopkins’ installation, Kiddo, hanging in the Akin Virtine Gallery. The beads are white with pink clouds, with blue beaded tassels hanging from the bottom. Blue beading across the white and pink sky read “chin up kid’. 

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

Honestly most of art happens away from the canvas. It’s easy to berate yourself for not “working” on your work when I think in actuality, we are constantly working on work by just living our lives. I don’t try to limit myself to only mediums I’m comfortable in. I find it helps me to make art that “doesn’t have a purpose” it’s in those moments when I can really experiment. 

As in regards to self-care I think it’s important to have a healthy community that can be a sounding board for ideas. Take criticism graciously and always ask questions to yourself. Give yourself time and show up for yourself.

Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

TH: “Not really, most of the artists I like are here, now.” 

What are some of the benefits of being in the studio for you? What brought you to Akin?

TH: “I love having a community around that inspires me. Seeing other artists in different phases of their practice gives me hope for the future of the arts in this city. Working at Akin has given me purpose like no other, and being able to serve a community I’m a part of is extremely fulfilling. 

I joined Akin after a 3 year hiatus of making or showing my artwork. I had convinced myself for a number of years that being in survival mode and putting all my effort into working to pay rent was top priority. I decided one year to make a painting for a friend and needed a place to work. I ended up joining Akin and it’s one of the best decisions I could of made for my practice.”

What are you NOT very good at? What do you WANT to be good at? 

TH: “Wish I was better at attending art shows, it seems like I only get out when someone I know is involved. I’ve made this a goal of mine for the upcoming seasons!” 

Check out Kiddo at the Akin Vitrine Gallery, 1747 St Clair Ave W, viewable 24/7 from the sidewalk, on till January 30th, 2024. 

See more of Theresa Hopkins’ art @Thopkinsart

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Akin St Clair / Akin Vitrine

 

On now! Robin Muccari at the Akin Vitrine Gallery

The Akin Vitrine Gallery is so excited to welcome a brand new exhibition, “Untitled” by Robin Muccari, an artist who works out of the Akin St Clair studios. The gallery is visible from the street, so swing by to check out Robin’s fantastic work any time, 24/7! 

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When: June 24th - August 31, 2024

Where: Akin Vitrine Gallery, 1747 St Clair Ave W

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Robin Muccari is an artist, illustrator, and designer located in Toronto, Ontario. His art ranges from analog to digital in collage, illustration, and animation. His three-dimensional analog collage artwork, "Untitled", was created in 2024 and will be on display in Akin Vitrine Gallery starting June 24th, 2024. The piece displays a static form of animated motion. Hands and objects rise from the bottom up, with light blue paths representing the direction and flow and energy.

We caught up with Robin to find out more about his inspiration, life, and work. 

Akin: What are you curious about right now?

RM: “I'm very interested in creating mechanical collages. Having seen interactive art in the past and watching mechanical objects in YouTube videos is inspiring.”

Akin: What was your first medium and what's your favourite tool/material right now? 

RM: “I grew up frequently drawing with whatever I had: crayons, No. 2 pencils, Berol colored pencils, ballpoint pens, and colored markers. Now, I am completely focused on analog collages using X-acto knives, glue, wires, wire cutters, pliers, and a saw.”

Akin: Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

RM: “I try to make it to the studio as much as I can but it's usually 2 or 3 times a week, in the evening after work. It's mostly focused on more than one project at a time. There are some times when I look through boxes of magazines for images that work with my thoughts or I improvise based on what I find.”

Akin: Do you have creative prompts or habits to help you get started? 

RM: “Music and music videos. I go through phases and repeatedly listen to the same songs or albums because they give me motivation and help me think creatively. I also watch music videos on YouTube—generally from the 80s and 90s—for the same reason. I'm not sure why but outdated effects in them influence me.”

Akin: Is there an artist you'd like to go back in time to meet? What would you ask them about?

RM: “German Expressionists (George Grosz, Otto Dix, Hannah Höch, and many filmmakers) have been a major inspiration since I was a kid. I'd ask them about their inspirations, how they came up with their styles, and the Weimar Republic era in general.”

Akin: What are some of the benefits of being in the studio for you? What brought you to Akin?

RM: “It's really nice to have studio space because I'm able to leave home and focus on my work instead of being distracted by two cats. It's also great to chat with the other artists near me who work in mediums different from me. I looked for studio spaces on Google and Akin had a lot of locations and spaces at an affordable cost. I'm really glad I ended up at the St. Clair location because it reminds me of the studio spaces in the arts college I went to.”

Akin: What are you NOT very good at? What do you WANT to be good at? 

RM: “I'm TERRIBLE at applying glaze to clay sculptures. They never turn out as I hoped. I have really enjoyed sculpting in the past so, at some point, I'm sure I'll try to get better.”

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Learn more about Robin’s work: 

@oldman_muccari 

remuccari.com

Kolaj Magazine

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Akin Vitrine Gallery, 1747 St Clair Ave W

 

SEAMLIGHT, New Exhibition by artist Shayla Bond at the Akin Vitrine Gallery

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Image Description: Shayla Bond’s piece Seamlight installed inside the Akin Vitrine Gallery, a white box with two thin fluorescent tube lights on the ceiling. Light boxes are mounted on the three walls of the vitrine gallery, symmetrically aligned, each with woven textiles inside, one gray, one yellow, one navy blue.

Here at Akin, we’ve known about Shayla Bond’s incredible craftsmanship and eye for intricate detail for a long time, which is why we’re so excited that her newest exhibition, Seamlight, is up now at The Akin Vitrine Gallery until April 11th! This exhibition is not to be missed.  

The gallery is viewable 24/7 from the sidewalk at 1747 St Clair Ave W, just east of Keele.

We reached out to Shayla to learn more about her process, muses and inspirations. Read the interview below. 

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Shayla Bond is a Canadian process artist who integrates design principles into fibre works to preserve heritage craft techniques within a contemporary framework. Her work explores themes of perfectionism, control, and obsession through aesthetic strategies such as colour, precision, and repetition.

Her exhibit, Seamlight, runs from March 11th to April 11th and features three 12" x 12" sewn textile works elegantly framed and installed, offering a captivating blend of minimalist aesthetics and innovative functionality. 

At first glance, these works appear as solid-coloured textiles. However, they possess a hidden surprise – they can be turned on to emit a soft, mesmerizing glow. This subtle illumination serves a dual purpose: it not only enhances the visual appeal of the pieces but also unveils the concealed craftsmanship typically found on the reverse side of sewn garments and linens. By casting light on the intricate seams and stitches, this installation invites viewers to appreciate the meticulous artistry that goes into creating textile works prompting viewers to reconsider the beauty and artistry inherent in everyday objects.

Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The textiles are dark blue, yellow and gray respectively. A cord hangs from the bottom of each lightbox. 

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Currently, I'm curious about the ways that pliable materials can be manipulated into solid or 3 dimensional structures.  Continually, I am curious about how I can drive deeper into the art of heritage craft techniques while still creating works that feel visually relevant in today’s aesthetic obsessed world. Simultaneously moving backward and forward in time.

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What was your first medium?

The first medium I can remember using was cheap acrylic paint. My craftsmen mother always had them laying around as she used them in her primitive woodworking. She would cut out shapes from wood and allow me to paint them.

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Do you have a studio routine?

I am in my studio most days from 9-5pm. When I arrive at 7am, I am most prosperous and productive in creating as I am a morning bird. I try to segment the commercial side of my business, creating, and admin work by days, and avoid using those parts of my brain all in one day. One day a week I try to work on grants and exhibition proposals.

Image Description: An image of artist Shayla Bond’s piece Seamlight. Three light boxes are mounted to a white wall in a vertical line. Inside the frames are woven textiles with a lightsource behind them. The fabric is illuminated by the light, revealing the seams and accentuating the honeycomb-like shapes of the stitching. A cord hangs from the bottom of each lightbox. 

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I begin my day as soon as my eyes open by rolling over in bed and doing ’morning pages’, which is something I took away from the book The Artist's Way by Julia Cameron. Morning pages are 3 written stream-of-thought pages of journaling that can be a huge guiding force for my day. It helps me focus on priorities top 'wants' before any other thoughts, or worries adulterate my brain. As someone with ADD, it helps me set my intention for the day and when reviewing what I wrote the following day, helps keep me on track with goals.

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Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

This is a hard one. So many talented people who paved the way for craft-based artisans today, blurring the line between fine art and craft. I would love to go back in time and meet Alexander Girard, renowned architect, interior designer, furniture designer, industrial designer, and a textile designer. As someone who feels quite disciplinary in my approach to textiles, I'd like to ask about his design process and cross pollination of mediums, along with some of his values/beliefs. He's known to have had a manifesto that guided his practice.

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What are some of the benefits of being in the studio for you? 

Being in the studio has multiplied my growth as an artist. Having a space that is dedicated to your practice can be hugely beneficial to your production. There are little distractions that there would be at home, when you arrive, you simply pick back up where you left off the previous day, and you are also offered that sense of validation and confidence so many artists crave and need when claiming, "I am an artist".  It is a tiny world in which your creativity can live in full force.

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What are you NOT very good at? What do you WANT to be good at? 

I am not good at saying no, and prioritization. I take on too many projects which splits my ability to get better in individual areas and can stunt growth. As someone who tries too hard to be good at everything, I think my answer to this would be that I am actively trying to reframe and be happy with NOT be good at everything - because it's unattainable! 🙃

You can find more of Shayla’s work on her website www.shaylabond.com and on her instagram @bushclass 

Every Day I Wake Up and I'm Still in Tokyo: Artist Tam Phan’s new exhibition at the Akin Vitrine Gallery

We’re excited to introduce a brand new exhibition up in the Akin Vitrine Gallery at 1747 St Clair Ave: ‘Every Day I Wake Up and I'm Still in Tokyo’ by artist Tam Phan!

The exhibition will be up from February 9th - March 9th. The gallery is visible from the street 24/7, if you’re in the neighborhood, be sure to drop by and take a look. In the meantime, read on to find out more about Tam’s work and inspirations! 

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Image above: Artist Tam Phan, waring a respirator mask

About the artist: 
Tam Phan is a Vietnamese-Canadian artist based in Toronto who loves working with stained glass. Her practice explores themes of nostalgia, wonder, feeling lost, and identity. Her new installation titled ‘Every Day I Wake Up and I'm Still in Tokyo’ will run from February 9th - March 9th in the Akin Vitrine, and will showcase various stained glass pieces, lite brite toys, and a gifted TTC lightbox. The installation is inspired by her trips to Vietnam and Japan. 

See more work on Tam’s instagram

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Tell us about your exhibition!
Tam: “Everyday I Wake Up and I'm Still in Tokyo was inspired by a trip I went on to Japan and Vietnam in 2023. I felt lost on this trip and it impacted how I viewed myself and my identity. Although unsteady, I felt comfortable with my reading and conversational skills in Vietnam, plus I had family there who made me feel mostly at home. But once I got to Japan I felt lost again, and those feelings were amplified by being physically lost in a place where I couldn't understand anything.

I decided to take lots of pictures of the shop and restaurant signs, and three were my inspiration for the stained glass collection I have in the Vitrine Gallery. Each one is colourful, vibrant, and has Kanji in it, but there's a small feeling of sadness when I look at each of them. I manipulated the colours, design and shapes but ultimately kept most of them true to the original.

Thank you to the Toronto Arts Council who generously supported this project.”

Image above: Artist Tam Phan is standing beside the Akin Vitrine Gallery and looking at it. In the gallery are many colourful pieces of stained glass artwork incluing a large piece featuring a piece of chocolate cake with red cherries on it in front of an orange and blue background.

What was your first medium and what's your favourite tool/material right now? 

Tam: “Just a paper and pencil! I was also obsessed with gel pens.”

Do you have a studio routine? 

Tam: “I am definitely a project-focused artist. My studio mates will not see me for months until I have a new passion project. Then you'll see me in the studio every day, cutting, grinding and foiling like a mad scientist.”

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

Tam: “Just do it! Go to the studio even if you don't have everything ready. I'm always surprised by how inspiring it can be to just give yourself space in the right environment. I also divide my time at the studio with playing badminton, and I find the two (making art, play badminton) inspire and motivate each other in odd ways.”

What are some of the benefits of being in the studio for you? What brought you to Akin?

Tam: “There are so many benefits. Even though every morning is a constant battle to get out of the door, once I'm at the studio I feel my creative side break through. The community, having an alternate space for creativity, and for this specific project, every single one of my studio mates helped me from cutting to design to installation or even just a short pep talk. It was incredible and made me so emotional. Everyone wanted me to succeed. 

I signed up for a space at Akin during the pandemic when I desperately needed a change of scenery and a chance to work with my hands. Being at Akin has changed my worldview in many ways.”

What are you NOT very good at? What do you WANT to be good at? 

Tam: “Not good: meeting deadlines. Want to be good at: meeting deadlines!!”

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Akin would like to thank Tam for your lovely exhibition and participation, we love this installation and can’t wait to see what’s coming in the future! 

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This project was produced with the support of the City of Toronto through Toronto Arts Council. #poweredbyTAC

New Exhibition at Akin Dupont Vitrine Gallery by artist Bernadette Peets

The Akin Dupont Vitrine Gallery is excited to announce an exhibition of works by Akin Dupont member, Bernadette Peets. Located at 1485 Dupont Street, on the second floor of the building, this miniature gallery offers a unique viewing experience to visitors in the building.

"Clouds"

"Crane River 4"

"Little Pond"

Images above: Colourful multi-media artworks by Bernadette Peets. Each piece 12”x12”. Titles in order from left to right: “Clouds”, “Crane River 4” and “Little Pond”.

About the Exhibition
In this latest exhibition, Peets invites us to explore her series of "small layered landscapes." These pieces are more than representations of physical spaces; they are windows to the emotions and sensations experienced within them. Created initially en plein air, these artworks were later transformed in her studio with the addition of striking neon plexiglass layers.

The result is these colourful pieces with depth that beckon viewers to engage with the art from various angles and perspectives, much like one would naturally experience in a real landscape. The swift, loose execution of these pieces contrasts beautifully with the deliberate layering, creating a dynamic visual experience that is both stimulating and thought-provoking.

About the Artist
”In my practise of nearly 30 years, I have been constantly searching for ways to express my thoughts, ideas and feelings sincerely and honestly. I am weary of becoming known for my ‘style’ or recurring themes as this would not reflect who I am as a person. I am constantly growing and evolving and my art reflects this as well.

Over the years I have worked with many tools, materials and methods and I have always tried to match the medium with the subject matter as a way to reinforce and strengthen the work.”

Bernadette’s foundation in drawing and painting, coupled with her extensive experience in theatre design, costume, and prop making, has equipped her with a diverse skill set. This versatility allows her to seamlessly blend various materials and techniques, from sculptural works and installations to multi-layered 2D images.

“There is often a subtle message in my work that invites the viewer to invest some time to look beneath the surface and to involve them in a participatory way.”

Visit www.bernadettepeets.com for more of Bernadette’s creative work.

Image Description: Artist Bernadette Peets in her studio working on a painting. Bernadette is holding a paintbrush up to a large canvas which has a work-in-progress painting in bright orange and blue paint. Image couretsy of www.bernadettepeets.com

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About the Gallery
The Akin Dupont Vitrine Gallery is a space dedicated to showcasing the diverse talents of Akin Dupont studio members. It's a small window gallery that faces the hallway, offering a novel and accessible way for the public to engage with art. Nestled beside Ink & Water Tattoo, and just down the hall from Franz Kaka Gallery. The building is open to the public from 8am-8pm.

Akin Vitrine Q&A Series: Chico Togni installation "Portable Moon (with physics)"

Akin Vitrine Q&A Series:
Chico Togni installation “Portable Moon (with physics)”

Oct 27 until Jan 7, 2024

The Akin Vitrine Gallery, 1747 St Clair Ave W

An image of Chico Togni’s sculpture, Portable Moon (with physics) in the Akin St Clair’s Vitrine Gallery. An American flag (without the white stars), sewn against a beige sheet appears to be waving. The flag is attached to a pole sunken into a sculpture of a jagged rock.

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Be sure to swing by Akin St Clair’s Vitrine Gallery at for Chico Togni’s new exhibition, Portable Moon (with physics), which will be on until January 7th, 2024. We caught up with Chico to learn more about his art, inspirations and favorite places in the city. 

Chico Togni works with cardboard, fabric, wood, metal and other found materials to create images and large sculptures. He also creates situations and happenings within the structures he builds. Most recently he exhibited his work at Kunsthaus Dresden and the Museum der Bildenden Kunst (MdbK) Leipzig, in Germany. He was an artist in residency at Cité International des Arts in Paris and Museumquartier in Vienna amongst other institutions, including the Artist Research Fellow at the Smithsonian Institute in Washington D.C., EUA. Chico Togni holds a Bachelor in Sculpture from São Paulo University, Brazil. Chico is currently based in Toronto where he is experimenting with quilting and developed the Bellaroche Stories, an expanding series of quilts and collages that narrates the trajectory of rocks, power tools and visual paradoxes.

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Tell us about your exhibition 

“Portable Moon with Physics” is a scientific contemplation. Crafted from paper maché, cardboard, and found material, this piece offers a fresh perspective on the moon's iconic flag. This sculpture represents the lunar flag, as if it were experiencing Earth's gravity, mirroring the calm and stillness of a terrestrial flag on a windless day. 

A fan generates a gentle breeze that delicately rustles the flag, preserving its position as if unaffected by the lunar environment. "Portable Moon with Physics" invites observers to reflect on the fascinating interplay of scientific principles and creative interpretation. It pays homage to the delicate equilibrium between the celestial and terrestrial realms, where even in the absence of a terrestrial atmosphere, the presence of gravity remains ever-present. The sculpture's title, "Portable Moon with Physics," encapsulates the humorous blend of science and art, reminding us of the unbreakable connection between fiction and science... 

This is the first attempt of the artist, to merge the clean and neat necessities of the world of quilting fabric and the dirty and chaotic sculptures with cardboard, found materials and paper maché. 

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

Collage and Sculpture.

What was your first medium and what's your favourite tool/material right now? 

Cardboard and Cardboard.

Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

Both! Studio routine and project focused, depending on what I'm working on, the routine gets just entirely focused on the next mission!

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I just keep trying to do everything with found materials, “survival mode” on.

A detailed, close up image of Chico Togni’s piece, Portable Moon (with physics), a fragmented American flag, missing its white stars, is sewn into a beige fabric in such a way that it appears to be waving in the wind.

What are some of the benefits of being in the studio for you? What brought you to Akin?

To share a space and feel part of a group with similar needs.

What are you NOT very good at? What do you WANT to be good at? 

Bureaucracy...

Where is your favorite place in the city to buy/get art supplies, tools and materials?

Dollarama / Street / Home Depot (last option)

What is the most inspiring place in the city for you right now?

Ikea... the challenge of going there and trying to buy nothing, just try everything...

What is your favorite place in the city to view art? This could mean either in a gallery, a museum, or in a public space.

Whimbrel Point at Colonel Samuel Smith Park

An image of Chico Togni’s sculpture, Portable Moon (with physics), an American flag (without the white stars), sewn against a beige sheet appears to be waving. The flag is attached to a pole sunken into a small red and beige stool. The sculpture is outdoors, on gravel ground with tire tracks, behind the sculpture are dirty snow piles, reminiscent of a ploughed parking lot. 

Chico is an Akin studio member as well as a 2023 recipient of the Newcomer Space Award. Created by Akin, the Toronto Arts Foundation’s Neighbourhood Arts Network, the Newcomer Space Award provides newcomers credit for an Akin studio membership and to Akin’s Remote Gallery. This award not only provides funding and space essential for professional artists to grow their practice, but also supports artists in growing their network through the shared studio space model. 

Find more of Chico’s work on his Instagram @bellaroche_stories and website

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We acknowledge the support of the Canada Council for the Arts

#BringingTheArtsToLife @Canada.Council

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The Akin St Clair Vitrine Gallery, 1747 St Clair Ave W

 

Akin Vitrine Q&A Series: Tiana Robinson installation 'A Simpler Time'

A Simpler Time, an exhibition by Tiana Robinson 

Sep 22 until Oct 22, 2023

The Akin Vitrine Gallery, 1747 St Clair Ave W

A closeup of the paintings in Tiana Robinson’s exhibition, A Simpler Time, against the white walls of the vitrine gallery. Amidst poems, the vibrant, colourful paintings on paper are detailed renderings of flowers and a young girl blowing a dandelion.

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Tiana Robinson is a Canadian artist, born in May Pen Jamaica, Her journey as an artist began at an early age, as she was always doodling in class, or at home. In middle school, she was nominated to participate in the Leaf Dreams scholarship program which gave her the opportunity to freely enroll in art classes at the Art Gallery of Ontario where she was constantly being exposed to instructors who were working artists themselves.

Tiana attended C.W. Jeffery’s Collegiate Institute special art program, and it was here that she was introduced to the Modern Batik Art Technique during a workshop. Batik Art involves the application of simple ink outlines, light-to-dark gradation of dyes, and using wax as a resist for separating colours. Tiana was a quick study and gained rapid recognition for her work, including her best-known image, “The Nation of Mothers”, which was purchased by the City of Toronto and now hangs in the Mayor’s office. Tiana graduated with a Bachelor of Design from the York-Sheridan Design Program and is currently working as a Graphic Designer while still exploring her love of art. 

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Tell us about your exhibition 

A Simpler Time  was created using  watercolour & gouache paint. This work was based on a poem I wrote called A Simpler Time. It shows a moment we have all experienced in our childhood of blowing a dandelion and watching the seeds scatter. It’s about returning to a time in our lives when we were free to have fun and just follow what felt right, what felt fun, and what made us happy. Summer days are filled with possibility and lots of sneezes.

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

What I am curious about right now is just exploring new media. I am trying to get reacquainted with my art process, and just let loose and explore what can come out of no expectations. I am working on being a bit more free with my expression and trying to find an authentic voice that is more representative of the woman I am now.

Tiana Robinson, wearing blue jeans and a grey t-shirt, is pictured inside the vitrine gallery installing her exhibition, A Simpler Time, hanging bright, colourful paintings done on paper onto clear string.

What was your first medium and what's your favourite tool/material right now? 

That was crayons, most definitely. Currently, I do mostly digital illustration and modern batik art with wax and dyes on fabric. I like the versatility of digital illustrations and the unique patterns created from the modern batik technique. Recently, I have been revisiting watercolours and gouache mediums and have been enjoying the learning curve of remembering how to work with the medium.

Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

My daily ritual when arriving at the studio is to first put some sage into my little humidifier to set the mood, and set up any tools I need that day. I ask a quick question of where I should start today and flow with whatever my intuition tells me to go.

Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I look at images to gain some inspiration and when I feel that tingle of excitement I follow that thread to the next step. Sometimes I am guided by meditations or poems I have written before and recently I love to turn those poems or messages into a motivational video and utilise music and video to create inspiration for myself and others. I recommend this video to get you fired up.

Artist Tiana Robinson in her Akin Studio

Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

I would love to go back and revisit the younger version of me before I stopped doing art and tell her that only when you are creating can you be fully you, fully grounded, fully really free. I realized after starting this journey again that It’s not losing my identity as an artist that made me fall apart. It was that I lost that ritual that allowed me to discard all the pieces of me that didn’t belong to me. All the external burdens and responsibilities that were not mine to begin with. I was no longer able to shed away that skin imposed on me by external circumstances, and sadly other people’s projections, demands, and responsibilities imposed on me slowly became my identity. I became empty while others became fuller, and paradoxically my spirit became heavier while others became lighter.

What are some of the benefits of being in the studio for you? What brought you to Akin?

In 2020 I became paralyzed after getting sick with COVID, and spent the better part of 2021- 2022 just getting well again. I struggled a lot with my mental health, depression, and anxiety, and can say since getting and coming to the studio I am no longer depressed, my anxiety has reduced significantly and I am a lot happier and more peaceful than a year ago. More confident, even though I don’t know where I am going I just know I will be damned if I am going to stop this again. My new mantra for life now is “protect my peace”.

What are you NOT very good at? What do you WANT to be good at? 

I am not very good at asking for help, and at showing my work. I want to be better at showing every facet of me and just being present and stop overthinking life.

A view of the finished install of Tiana Robinson’s exhibition, A Simpler Time. The paintings and poems are hung on clear string fastened vertically from top to bottom of the white vitrine gallery. The paintings are colourful, intricate images of flowers. On the white floor of the vitrine are paint brushes and small palettes, and a small sign that reads the “A Simpler Time, Tiana Robinson”

See an extended video version of this interview below or click here to view it on YouTube.

Explore Tiana’s work further through her instagram and youtube.

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We acknowledge the support of the Canada Council for the Arts

#BringingTheArtsToLife @Canada.Council

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The Akin St Clair Vitrine Gallery, 1747 St Clair Ave W

 

Akin at The Artist Project - April 13 to 16

Get ready for the highly-anticipated return of The Artist Project at the Better Living Centre, Exhibition Place, from April 13th to 16th! Featuring over 250 independent artists, including several Akin members, this event promises to be a celebration of creativity, inspiration, and connection.

The Opening Night Preview is on April 13th from 6-10pm, it will include a fashion show from  Fashion Art Toronto, Aura photography, Tarot Card reading, and a live DJ set. Experience a stimulating environment designed to ignite enriching conversations and foster a personal connection with art.

The Akin booth will be showcasing the talented works of members of the Akin Studio Program at Auto BLDG: Amada Estabillo, Jason Bomers, Tiana Robinson, Erin McCluskey, Emily MacClennan, Mel Hayes, Felicia Cirstea, Maren Boedeker, Hamid Mohammadi, Linds Miyo and Chico Togni. Find us at booth 1009 near the Untapped Emerging Artist section (featuring Akin’s very own, Sabrina Pinksen)!

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Another interesting exhibit will be the OCAD U Career Launcher Initiative, where Vladimir Kanic, the recipient of the Artist Project 2023 Career Launcher, will present Garden of Waves, as part of his ongoing body of work with algae for the 2023 fair.

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Image Description: Miles Ingrassia at the Artist Project 2022. Miles is standing in front of his paintings which are displayed on a white wall surrounding him. Miles has a tshirt on and a hat and glasses and is smiling slightly at the camera.

While you are there, don’t forget to look for Akin members and alumni at their very own booths and say hello! Akin members exhibiting include Miles Ingrassia (booth 122), Carolina Reis (booth 108), Jen Arron (booth I6), Natalie Plociennik (booth 236) and Zoe Bridgeman (booth 926) and many Akin alumni will be among the exhibiting artists as well!  

Click here to get your tickets. See you there!  

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Accessibility Information:

The Better Living Centre has step-free access to the building and is level throughout. A limited number of assisted devices are available onsite at the information desk for those who need them. Service animals are allowed into all areas of the event that are open to the public. The Artist Project is happy to offer a complimentary admission pass for the support person of a person with a disability.

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We acknowledge the support of the Canada Council for the Arts.

#BringingTheArtsToLife @CanadaCouncil 

Akin Vitrine + Mel Hayes

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin Dupont artist Mel Hayes. Mel's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of July and then 1485 Dupont for the month of August.

Sail Away explores the boundaries of time and the role memories play in shaping your current reality. Inspired by expression “ One eye on the past, one eye on the future”. The piece is composed of multiple layers strategically placed in front of each other to create a larger composition.

Mel Hayes is a multi-disciplinary creative, who pushes the boundaries between visual arts and graphic design. Originally trained as a graphic designer and BDes graduate from the Alberta University of the Arts. Her studies informed her approach to abstract painting, relying on shapes and composition to elevate her ideas.

Sail Away
Mixed media
Dimensions Variable
2020

To contact the artist:
Instagram: @melhayes.art

#Akinvitrine

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Mel’s work will be on view for the month of July in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of August. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine St. Clair + Elsie Nisonen

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin River artist Elsie Nisonen. Elsie's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of June and then 1485 Dupont for the month of July.

Consumption is a series of images that explore the idea of Gender, Consumption, Collecting and is also about positive and negative space. By combining the digital aesthetic with handcrafted details, I blur the lines between the digital world and the human hand, gendered stereotypes, the truth vs. folktale. I have photographed old paper dolls that were mouse-eaten as a metaphor for gender confines, consumption and collection. The use of botanicals references work done by women illustrators and photographers during the Victorian era. The curiosity of the Victorians along with their sickening approach to collections, i.e. killing the thing you are studying, invokes the idea of capture, consumption, decay, and death. 

By playing and using old tropes, I have created new visuals to push against patriarchal hegemony. I have used older/fixed icons such as a dress as a frame to re/view the world. 

Elsie Nisonen is a lens-based artist in Toronto. Her works explores light, materiality, humanity, layering, and storytelling. It resides between memory and truth, the liminal spaces where reality and fantasy are intertwined.

Consumption
Mixed media
Dimensions Variable
2020

To contact the artist:
Instagram: @elsienisonen

#Akinvitrine

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Elsie’s work will be on view for the month of June in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of July. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine St. Clair + Walter Segers

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin River artist Walter Segers. Walter's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of May and then 1485 Dupont for the month of June.

MAKE LOVE NOT WAR is an installation consisting of a movable doll house @lilliputgallery, still 2D images and 3D altered toys exploring the interaction between location and individuals. Each room in the doll house tells a unique story that reminds us that the future is bright with a vision of LOVE instead of WAR.

Working primarily with dolls such as Ken and Barbie, toy soldiers and toy animals, the battle of nations or battle between cats and dogs becomes intimate instead of combative.

Children use toys to discover their identity, learn cause and effect, explore relationships, and practice skills they will need as adults. Adults on occasion use toys to form and strengthen social bonds, teach, and to remember and reinforce lessons from their youth.

MAKE LOVE NOT WAR is communicating a positive message, a fantasy world that Walter would like to see as being real. Why not make the focus of your life something happy!

MAKE LOVE NOT WAR
Found objects, taxidermy, photography and doll house @lilliputgallery
Site Specific Installation, Dimensions Variable
2019-2020

To contact the artist:
Instagram: @waltersegers
Website: www.waltersegers.com

#Akinvitrine

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Walter’s work will be on view for the month of May in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of June. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine Galleries featuring Michelle Rawlings

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin artist Michelle Rawlings. Michelle's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of April and then 1485 Dupont for the month of May.

Experience is an installation made up of 3-dimensional letters displayed at different heights and depths. The word is playfully broken apart causing viewers to pause to decipher what it says as they take in the different forms and planes of the window display. The result is an unexpected visual experience reminding us to stop every once in a while and take in the world around us.

Experience
Paper
Dimensions variable
2020

To contact the artist:
Instagram: @ms.rawlings
#Akinvitrine

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Michelle’s work will be on view for the month of April in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of May. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine Galleries featuring Liliana Vera

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin Dupont artist Liliana Vera. Liliana's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of March and then 1485 Dupont for the month of April.

I want to be defined by the things I love,
not the things I hate,
nor the things I am afraid of.

“i found it in the forest” is about the personal journeys we venture into, the idea of the sacred pilgrimage to answer our most pressing questions. It is about the places themselves, places ready to trip us if not prepared, places willing to give but that will take something from us too.

These journeys we must take alone; sometimes dubious but with heightened senses.

I invite you to reflect on the journey you are wandering on and hope you find shelter to rest and continue forward.

Ever since starting on Akin on 2017, I have been working with the theme of “hand portraits” and have found a comfortable space working on wooden panels, since the material respects the details pencil traces while adding a little of its own decisions when mixed with gouache, bleeding colour into different parts of my pieces. But I have curiosity to shift between mediums, and lately have experimented with paper and wire to create black-grey-white small sculptures. I found the Vitrine to be a good opportunity to try something I want: storytelling in maquette form.

I found it in the forest
Sewn paper and text
Dimensions variable
2020

To contact the artist:
Instagram: @thecatintherain
#Akinvitrine

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Liliana’s work will be on view for the month of March in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of April. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine Galleries + Kyle Yip

We are delighted to introduce our current Akin St. Clair Vitrine Gallery artist, Akin Ossington artist Kyle Yip. Kyle's work will be on exhibit in our galleries beginning at 1747 St. Clair Avenue West for the month of February and then 1485 Dupont for the month of March.

“The following body of work are exact replicas of visual art conceived and produced during the rapid-eye movement dream state of the artist. While the purpose of dreams are not completely understood, psychoanalysts believe they are the manifestations of our deepest desires and fears. They are the direct expression of imagination and utilize the most efficient language of symbolism and mythological archetypes.” - Kyle Yip 

In Gestalt therapy, Fritz Perls describes dreams as projections of the parts of ourselves that have been neglected, rejected, or suppressed. Carl Jung added that every person in the dream may represent an aspect of the dreamer, which he called the existential approach to dreams. Perls went to far as to say that even inanimate objects in the dream may represent aspects of the dreamer. Through association, the dreamer would be asked to imagine being an object in the dream and describe its characteristics, bringing into awareness the more disaffected aspects of the dreamer's personality. 

Kyle Yip is an award-winning, internationally recognized, critically acclaimed visual artist based in Toronto. He is known not only for his Juno Award Nominated debut album for best 'Electronic Album of the Year’ from the 45th Annual Juno Awards in 2016, but also his international exhibitions in New York, Vancouver and South Korea.

Sewer
Mixed Media
30 x 22 1/2”
2019

Moonbeam
Mixed Media
30 x 22 1/2”
2019

Pepto-Abysmal
Mixed Media
48 x 36”
2016

To contact the artist:
Instagram: @kylepyip
#Akinvitrine
www.kyleyip.com

Akin Collective + Akin Projects are excited to present our 2020 programming in two Vitrine Galleries located at Akin St. Clair and Akin Dupont. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at St. Clair and second month at Dupont. For more information about our artists and our programming, join us on Instagram @akinvitrine.

Kyle’s work will be on view for the month of February in our St. Clair Avenue West Akin Vitrine Gallery, 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

The exhibition will then travel to the Akin Dupont Vitrine Gallery where it will be on view for the month of March. Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

Akin Vitrine Galleries + Nicole Crozier

We are delighted to introduce our current Akin Vitrine Gallery artist, Akin Ossington artist Nicole Crozier. Nicole’s work will be on exhibit in our galleries beginning at 1485 Dupont for the month of November and then 1747 St. Clair Avenue West for the month of December.

Nicole Crozier is a Toronto-based visual artist and arts manager. Her work surrealistically explores the animate potential of accessories and decoration in relation to the female body. She aims to cultivate an aesthetic that is simultaneously seductive and unsettling as a means of investigating the overlap between desire, fantasy, identity, and self-image.

Bordering on the baroque, “Beckon” is a painter’s experimental foray into sculptural installation. The work plays with our magpie-like attraction to bright, reflective objects, promising delights with outstretched, inviting gestures, but from incorporeal hands surreally disassociated from reality. These hands, reminiscent of mannequin models positioned in storefront windows, are slowly being consumed by ornaments once meant to decorate them in a shrine-like ode to the power of the display. “Beckon” insists on seduction while highlighting the dangers of desire, utilizing the disembodied hand as a means of creating a point of association as well as disconnect with the viewer. It simultaneously invites and threatens, beckons and repels, offers promise and yet leads nowhere.

Beckon
Mixed Media
Dimensions Variable
2019

To contact the artist:
Instagram: @nicolebcrozier
#Akinvitrine
www.nicolebcrozier.com

Akin Collective + Akin Projects are excited to present our 2019 programming in two Vitrine Galleries located at Akin Dupont and Akin St. Clair. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at Dupont and second month at St. Clair. For more information about our artists and our programming, join us on Instagram @akinvitrine.

‘Beckon’ will be on view for the month of November in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of December at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

Akin Vitrine Gallery + Erin Candela

We are delighted to introduce our current Akin Vitrine Gallery artist, Akin King alumi, soon to be Akin MOCA artist and staff member Erin Candela. Erin’s work will be on exhibit in our galleries beginning at 1485 Dupont for the month of September and then 1747 St. Clair Avenue West for the month of October.

Erin Candela is a Canadian artist originally from northern BC, currently living in Toronto. Often using historical documents such as photographs, public school books, nature encyclopedias and community journals, themes of Memory and identity are frequently present in her drawings. Ideas of North, Canadian landscape, and portentous depictions of wild creatures and characters are also common and contribute to a scattered and ambiguous narrative.

Things Go So Wrong?
Mixed Media
Dimensions Variable
2019

To contact the artist:
Instagram: @candles_
#Akinvitrine
www.erincandela.ca

Akin Collective + Akin Projects are excited to present our 2019 programming in two Vitrine Galleries located at Akin Dupont and Akin St. Clair. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at Dupont and second month at St. Clair. For more information about our artists and our programming, join us on Instagram @akinvitrine.

‘Things Go So Wrong?’ will be on view for the month of September in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of October at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

Akin Vitrine Gallery + Laura Kay Keeling

Akin Vitrine Galleries are delighted to welcome Akin Dupont artist, Laura Kay Keeling back into our exhibition spaces for the months of June and July! Working primarily in collage, Laura is bringing one of her prints to life with her installation, Rocks and TV LIVE.

Opening this month on the second floor of 1485 Dupont St, Rocks and TV LIVE will move to 1747 St. Clair Avenue West for the month of July and will be visible at street level on St. Clair West.

“As an artist, I strive to explore and capture the magic that comes from everyday life. From the way the sunshine catches my eye, how the flowers look after it rains, a well groomed front lawn. I try to take moments that sometimes may be overlooked and give them a second chance to be admired. I am obsessed with landscape and how it changes in different regions, how nature’s colour palette is so vibrant and engaging and how we are so fortunate to have such beauty around us in so many different shapes and sizes. I love allowing the viewer to create their own narrative from a captured moment in time and hope my work evokes feelings from the viewer, whatever that may entail such that they can be engaged with the piece. With my 'HOT ROCKS' collage series, I feature interesting and beautiful images found in gemstone field guides which have been cut apart and put back together in a new way. Not only do I love photographing nature, I love allowing it to inspire me and guide my collages to become a new representation of things organically found in nature. My current digital collage series feature sourced imagery from National Geographic Magazines, old field guides and 35mm photos I have taken merged
together to create interesting, vibrant and engaging imagery.”

www.laurakaykeeling.com
Email: laurakay.keeling@gmail.com
Instagram: @laurakaykeeling & @lllllllllllllllllkk

Rocks and TV LIVE
Mixed media
Dimensions variable

For more information about our artists and our programming, join us on Instagram @akinvitrine.

Rocks and TV LIVE will be on view for the month of June in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of July at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

For more information about Laura’s work, follow our Instagram account @akinvitrine.

Akin Vitrine Gallery + Sara Pearson

Introducing our April 2019 artist, Sara Pearson. Sara is an Akin Dupont member and her multi medium installation, Wayfinder is on exhibition in the Akin Vitrine Galleries for the months of April and May.

Using material as a narrative tool, Wayfinder is a layered installation of collage imagery. Shimmering mineral watercolour on terraskin paper (made from stone) the overscaled landscape references a desired destination: as we travel through life and forge our path, we set goals, build foundations and envision our future. The floor of the gallery is covered with handmade unfired clay pebbles- impermanent objects that suggest that sometimes/many times the ground shifts, falls away, and we must again find our footing and start in a new direction. Standing on this landslide is a Wayfinder, a sculptural form of ceramic and aluminum mirror, a navigational tool used as a beacon or a landmark to guide us along our new path.

Sara Pearson is a Toronto based artist whose work has centered on the merging of science (geological and gemmological) and a self-reflexive fine arts practice choosing materials and references that relate as elemental to the earth. Through abstracted painting of gemstone refraction and land formation, and sculptural methods of bronze casting, ceramics and assemblage, she has explored concepts such as human value systems, the sublime quality of nature and the journey of transformation. Sara holds a BFA from the Ontario College of Art and Design. She has participated in solo and group exhibitions with Patel Gallery, and has shown work in Ontario and British Columbia.

Wayfinder
Mineral watercolour on terraskin paper, ceramic, aluminum, and unfired clay.
Dimensions variable
2018

To contact the artist:
Instagram: @_sarapearson_
#Akinvitrine
www.sarapearsonart.com

Akin Collective + Akin Projects are excited to present our 2019 programming in two Vitrine Galleries located at Akin Dupont and Akin St. Clair. These miniature galleries feature the diverse talents of our members with travelling installations rotating each month. Each artist will be featured for the first month at Dupont and second month at St. Clair. For more information about our artists and our programming, join us on Instagram @akinvitrine.

‘Wayfinder’ will be on view for the month of April in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of May at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

For more information about Sara and her work, follow our Instagram account @akinvitrine
**Sneak peek images of the work located in the event posts!

Akin Vitrine Galleries + 'Flitting' by Verity Griscti

We are excited to announce our latest exhibition into our Akin Vitrine Galleries, ‘Flitting’ by Akin King member Verity Griscti. This is Verity’s second exhibit with the galleries. flitting opens in March at 1485 Dupont St, and will move to 1747 St. Clair Avenue West for the month of April.

Separation, alignment and cohesion. Individual agents adhering to three simple rules can create something complex, elegant and beautiful. flitting is an analogue exploration of the popular artificial life computer algorithm boids. Originally developed in 1986 by computer programmer Craig Reynolds boids is everywhere you’ve never bothered to look. It’s been used to study the flocking behaviour of Starlings and create the computer-generated bat swarms in Batman Returns. It’s the algorithm behind swarm robotics, where groups of small robots or drones are programmed to work in cohesion and it’s automatically programming dozens of internet radio stations at once. But before the algorithm puts all the DJ’s out of work starts dropping bombs on humans let’s look at how pretty it can be.

Verity Griscti is an artist and jill-of-all digital trades based in Toronto. Her studio practice explores generative systems and seriality in both analogue and digital mediums. She’s built numerous websites including the award-winning Biographical Dictionary of Architects in Canada and has participated in various exhibitions including Maker Festival, The Toronto Outdoor Art Show, and EyeScream’s II & III, the visual arts component of the Scream Literary Festival. Verity received a BFA in Printmaking from OCADu in 2004.

www.veritygriscti.com
Instagram: @veritygriscti
Facebook Page: www.facebook.com/verityfaithgriscti

flitting, 2019
acrylic paint on duralar polyester sheets
25” x 40”
Verity Griscti

Akin Collective + Akin Projects are excited to present our 2019 programming in two Vitrine Galleries located at Akin Dupont and Akin St. Clair. These miniature galleries feature the diverse talent of our members with travelling installations rotating each month. Each artist will be featured for the first month at Dupont and second month at St. Clair. For more information about our artists and our programming, join us on Instagram @akinvitrine.

‘flitting’ will be on view for the month of March in our Dupont Akin Vitrine Gallery, located in the Clock Factory Building at 1485 Dupont Street (entrance on Campbell Avenue). Find Akin Studio 215 on the second floor and follow the sign into the hallway around the corner. The building is open from 9am to 6pm, Monday to Saturday.

The exhibition will then travel to the Akin St. Clair Vitrine Gallery and be on view for the month of April at 1747 St. Clair Avenue West. Gallery is street level and can be viewed at any time.

For more information about Verity’s work, follow our Instagram account @akinvitrine.

'Fitting' by Verity Griscti - March/April 2019 - Akin Vitrine Gallery Installation.