Akin Vitrine Q&A Series: Tiana Robinson installation 'A Simpler Time'

A Simpler Time, an exhibition by Tiana Robinson 

Sep 22 until Oct 22, 2023

The Akin Vitrine Gallery, 1747 St Clair Ave W

A closeup of the paintings in Tiana Robinson’s exhibition, A Simpler Time, against the white walls of the vitrine gallery. Amidst poems, the vibrant, colourful paintings on paper are detailed renderings of flowers and a young girl blowing a dandelion.


Tiana Robinson is a Canadian artist, born in May Pen Jamaica, Her journey as an artist began at an early age, as she was always doodling in class, or at home. In middle school, she was nominated to participate in the Leaf Dreams scholarship program which gave her the opportunity to freely enroll in art classes at the Art Gallery of Ontario where she was constantly being exposed to instructors who were working artists themselves.

Tiana attended C.W. Jeffery’s Collegiate Institute special art program, and it was here that she was introduced to the Modern Batik Art Technique during a workshop. Batik Art involves the application of simple ink outlines, light-to-dark gradation of dyes, and using wax as a resist for separating colours. Tiana was a quick study and gained rapid recognition for her work, including her best-known image, “The Nation of Mothers”, which was purchased by the City of Toronto and now hangs in the Mayor’s office. Tiana graduated with a Bachelor of Design from the York-Sheridan Design Program and is currently working as a Graphic Designer while still exploring her love of art. 


Tell us about your exhibition 

A Simpler Time  was created using  watercolour & gouache paint. This work was based on a poem I wrote called A Simpler Time. It shows a moment we have all experienced in our childhood of blowing a dandelion and watching the seeds scatter. It’s about returning to a time in our lives when we were free to have fun and just follow what felt right, what felt fun, and what made us happy. Summer days are filled with possibility and lots of sneezes.

What are you curious about right now? What do you do to stimulate curiosity and inspiration? 

What I am curious about right now is just exploring new media. I am trying to get reacquainted with my art process, and just let loose and explore what can come out of no expectations. I am working on being a bit more free with my expression and trying to find an authentic voice that is more representative of the woman I am now.

 

Tiana Robinson, wearing blue jeans and a grey t-shirt, is pictured inside the vitrine gallery installing her exhibition, A Simpler Time, hanging bright, colourful paintings done on paper onto clear string.

 

What was your first medium and what's your favourite tool/material right now? 

That was crayons, most definitely. Currently, I do mostly digital illustration and modern batik art with wax and dyes on fabric. I like the versatility of digital illustrations and the unique patterns created from the modern batik technique. Recently, I have been revisiting watercolours and gouache mediums and have been enjoying the learning curve of remembering how to work with the medium.


Do you have a studio routine ie: Are you a daily ritual person or are you project-focused in spurts?  

My daily ritual when arriving at the studio is to first put some sage into my little humidifier to set the mood, and set up any tools I need that day. I ask a quick question of where I should start today and flow with whatever my intuition tells me to go.


Do you have creative prompts or habits to help you get started? Any self-care tips to share?

I look at images to gain some inspiration and when I feel that tingle of excitement I follow that thread to the next step. Sometimes I am guided by meditations or poems I have written before and recently I love to turn those poems or messages into a motivational video and utilise music and video to create inspiration for myself and others. I recommend this video to get you fired up.

 

Artist Tiana Robinson in her Akin Studio

 

Is there an artist you'd like to go back in time to meet? Or someone you'd love to invite to dinner right now? Who is it and what would you ask them about?

I would love to go back and revisit the younger version of me before I stopped doing art and tell her that only when you are creating can you be fully you, fully grounded, fully really free. I realized after starting this journey again that It’s not losing my identity as an artist that made me fall apart. It was that I lost that ritual that allowed me to discard all the pieces of me that didn’t belong to me. All the external burdens and responsibilities that were not mine to begin with. I was no longer able to shed away that skin imposed on me by external circumstances, and sadly other people’s projections, demands, and responsibilities imposed on me slowly became my identity. I became empty while others became fuller, and paradoxically my spirit became heavier while others became lighter.

What are some of the benefits of being in the studio for you? What brought you to Akin?

In 2020 I became paralyzed after getting sick with COVID, and spent the better part of 2021- 2022 just getting well again. I struggled a lot with my mental health, depression, and anxiety, and can say since getting and coming to the studio I am no longer depressed, my anxiety has reduced significantly and I am a lot happier and more peaceful than a year ago. More confident, even though I don’t know where I am going I just know I will be damned if I am going to stop this again. My new mantra for life now is “protect my peace”.

What are you NOT very good at? What do you WANT to be good at? 

I am not very good at asking for help, and at showing my work. I want to be better at showing every facet of me and just being present and stop overthinking life.

A view of the finished install of Tiana Robinson’s exhibition, A Simpler Time. The paintings and poems are hung on clear string fastened vertically from top to bottom of the white vitrine gallery. The paintings are colourful, intricate images of flowers. On the white floor of the vitrine are paint brushes and small palettes, and a small sign that reads the “A Simpler Time, Tiana Robinson”

See an extended video version of this interview below or click here to view it on YouTube.

Explore Tiana’s work further through her instagram and youtube.


We acknowledge the support of the Canada Council for the Arts

#BringingTheArtsToLife @Canada.Council


The Akin St Clair Vitrine Gallery, 1747 St Clair Ave W

 

Akin Vitrine Q&A Series: Enas Satir installation 'A state of Chaos'

Welcome to the Akin Vitrine Q&A (Question and Answers) Blog Series where we highlight the latest Akin Vitrine Gallery installation and present a recent interview with the exhibiting artist. Today’s artist is Enas Satir, whose installation ‘A State of Chaos’ is currently in the Akin Vitrine Gallery at Akin St.Clair (1747 St.Clair Ave West) until the end of June.  Thanks for participating, Enas!  

Please see below for Enas’s answers to the Q&A and to learn more about the exhibition. To see more of her work visit www.enassatir.com or on Instagram @enas.satir

Please see below for Enas’s answers to the Q&A and to learn more about the exhibition. To see more of her work visit www.enassatir.com or on Instagram @enas.satir

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On now: Three exhibitions featuring Akin Members Jen Arron, Marcia Bianchi & Hana Elmasry

Are you feeling the winter blues? Need some inspiration? Try going out to see some art! These three exhibitions are happening right now, featuring Akin Studio members Jen Arron, Marcia Bianchi & Hana Elmasry.

Image Description: Three large textile weavings hand on a white wall. The weavings have a variety of textures and materials and are blue, white and black in colour. Artwork by Jen Arron.

Jen Arron: Selected Works and Studies

On until: March 8th, 2023
Where: The Lobby by Heaps Estrin, 1120 Yonge Street, Toronto
Gallery hours: Mon-Wed 10am-6pm / Thu-Fri: 10am-7pm / Sat: 10am-6pm / Sun: 11am-5pm

Jen Arron is a studio-based textile artist in Toronto. She works with globally sourced fibers to create works that have scale & presence. Weaving entirely by hand, in a freestyle approach, Jen’s large-scale woven pieces explore our connection through time, geography, and materials. There is an ecosystem of life in each of Jen Arron’s pieces. Jen’s process embodies her search for the unique feeling of discovering what she would like to come upon in her work. www.jenarron.com


Image Description: The background shows a close-up of a painting by Marcia Bianchi in swirling shapes and brown and cream colours. ON the left side of the image is white text with the exhibition information.

Marcia Bianchi: Emotive Distance

On until: January 29th, 2023
Where: Gallery 1313 in the Cell Gallery, 1313 Queen St West, Toronto
Gallery hours: Wed-Sat 1pm-5pm, Sun 1pm-4pm

Emotive Distance is a group of oil paintings that focuses on the female form, drawing from various influences including contemporary photography and ancient European sculpture. This series invites the viewer to mimic the stillness present in each painting, and contemplate their own inner state, starting with where they find discomfort. The intention is to enter the void through recognizing that which stands out to us about the work, and following it. Click here to learn more about the exhibition.

Marcia Bianchi is a contemporary figurative artist based in Toronto, Canada. Her work has evolved since pursuing a career in graphic design, when she began fusing the design principles with canvas. Heavily influenced by psychology and the exploration  of the mind, her intention is to create pieces that will allow the viewer to experience a moment of ease.  Her practice continues to evolve as she explores mediums and muses. marciabianchi.ca


Image above: An abstoract Painting by Hana Elmasry with a variety of shapes and colours

Hana Elmasry: To be conceived, group exhibition

On until: February 18th, 2023
Where:
Corkin Gallery, 7 Tank House Lane
Gallery hours:
Tue-Sat 10am-6pm

From memories of cityscapes or the openness of the universe to the intimacy of floral motifs, To be conceived  brings  together the work Corkin Gallery’s represented artists. The exhibition commemorates recent creations in conversation with iconic bodies of work that continue enriching aesthetic dialogues. Click here to learn more about the exhibition.

Hana Elmasry investigates identity, visual expression and therapy. Through memories, the artist focuses on creating a visual cosmos, making reference at times to a connection with her Egyptian heritage. Creating a constellation of small-scale canvases, each work is also a universe unto itself. Each piece is wholly unique, often integrating collage and diverse materials within a peaceful palette; some works explore the limits of the canvas by deconstructing the traditional frame. Elmasry frequently adds materials that become a pleasure to the senses, like oils and reptile skin, achieving a multisensory experience of reflection. Hana Elmasry is represented by Corkin Gallery.

Over 70 artists featured at Akin winter art event!

Written by Charlotte Van Ryn

Image above: A view of the Clark Centre from the outside. The night sky is dark blue and black, and the Clark Centre is brightly lit inside. A person on the street walks towards the building.

This December, Akin is host to a Winter Arts Market and Exhibition at the Clark Centre in Scarborough, nestled in the beautiful, historic Guildwood Park. It’s the perfect place to pick up one-of-a-kind gifts for your loved ones this holiday season, and view three floors of artwork on display by participating artists!

The event is highlighting Akin artists among artists from Scarborough and the surrounding area. Theresa Hopkins’ self reflective, whimsical portrait and Wandy Cheng’s floral, playful paintings were selected as featured Scarborough Artists. 

Image description: Jennie Town sits at her booth at the Winter and Arts Market. Her hair is in braids and she’s wearing a black hat and glasses. Jennie is sewing into a piece of birch bark. On her table is a large display of jewelry, dreamcatchers and handmade crafts. 

The event kicked off last weekend; upstairs, the market was in full swing. Prints, ceramics, even holiday decorations were on full display. Jennie Town, pictured above, had a beautiful selection of birch bark earrings, dream catchers, handmade deer hide drums and willowwork.  A multidisciplinary indigenous artist, and a Scarboroughlocal, Jennie is passionate about Guildwood park and the Clarke Centre, for which she attended the local planning meetings before it was built. 

Image Description: A long white wall inside the Clark Centre displays a series of hanged paintings. Two people stand in front of a large painting at the end of the hal

Paintings and sculpture cover the walls on all three floors of the Clark Centre. Notably, the exhibition Through A Hundred Windows features work from artists who were given the same base material, a wooden “window”,  but styled their own way.  Hung side by side, they create a unified, yet singularly unique look. Through a Hundred Windows will be up all month - all works are for sale directly through the artist and 100% of the proceeds from every sale go direct to the artist. Interested in purchasing work from the exhibition? Click here to see a list of participating artists. 

If you missed last weekend’s market, fear not! There’s another weekend market coming up, December 10 and 11 from 11-6 to pick up holiday gifts for friends and family. The exhibition will be up until December 18th, and can be visited any day of the week. Click here to find out more about the event and the participating artists. 

We acknowledge the support of the Canada Council for the Arts.
@CanadaCouncil  #BringingTheArtsToLife